TIMING
- 19u00: doors open
- 20u00: Midnight Sister
- 21u00: Perfume Genius
For this concert we don't accept Gate15 culture vouchers (for Antwerp students).
Antony and the Johnsons, Dirty Projectors, Arca, Xiu Xiu, Forest Swords, Jens Lekman
Perfume Genius us
Mike Hadreas, also known as Perfume Genius is a singer/songwriter from Seattle, Washington, US. Perfume Genius began when he moved from New York to his mother's home in Everett, WA. In these relatively isolated conditions, Hadreas felt a compulsion to make music and began composing fragile yet brutally honest songs on the piano. By 2008 he had set up a MySpace page and began offering his music there, along with similarly spare and evocative homemade music videos. Turnstile released the single Mr. Peterson -- the tale of a suicidal, pedophile high-school teacher -- in 2009. Perfume Genius' full-length debut, Learning, which presented its tracks in the order in which they were recorded, arrived and released on June 21, 2010.
Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Midnight Sister us
The slinky, mysterious, cinematic music of Midnight Sister is brought to you by the isolating landscape of the San Fernando Valley — its colors, its diners, its lunatics, its neon lights. The duo of Juliana Giraffe and Ari Balouzian, lifelong residents of this storied valley, have only become more inspired by the area’s mythology over the years, it’s two-faced magical wonderland and tragic circus.
Giraffe, 23, daughter of an LA disc jockey, was raised almost exclusively on disco and David Bowie. Her lyrics and lyrical melodies were composed gazing out from a tiny retail window on Sunset Boulevard. Her “Rear Window”-like longing allowed her imagination to run wild and cook up the wild narratives that would fill Balouzian’s compositions. Balouzian, 27, classically trained and already a go-to arranger for odd-pop names like Tobias Jesso Jr. and Alex Izenberg, is inspired by the immersive, almost visual language of Stravinsky and Ravel as much as the cinematic jeu d’esprit of Altman’s “Brewster McCloud” and Paul Thomas Anderson’s “Punch Drunk Love.” Their shared musical vision of LA is the ominous alley you must enter to have the speakeasy night of your life.