Nite Jewel is the performing moniker of Ramona Gonzalez. She is a composer, songwriter, and multimedia artist from Los Angeles, California, where she has exhibited a number of video and sound installation pieces. A recent sound installation entitled “The Question Concerning Technology” has been transcribed to traditional notation by Human Ear Music founder, Jason Grier. She has collaborated with Julia Holter and Cole M.G.N. of Haunted Graffiti, curated two exhibitions at the Tiny Creatures gallery, and performed the work of Michael Pisaro. She was a philosophy student at Occidental College in Eagle Rock, Los Angeles. The Nite Jewel project is a remarkable combination of revisionist Bronx pop and hazy musical impressionism. Like her ex-pop peers, Ariel Rosenberg and Geneva Jacuzzi, she records solely on portable 8-track cassette deck, often composing her songs by layered tape edits. In Nite Jewel’s case, however, the quality of her chosen medium seems to be neither a means nor an end, but rather a device to lend an ethereal kind of efficacy to the golden age of alternative disco. As influences, she has cited dance floor greats Lisa Lisa & Cult Jam and Debbie Deb, 90’s R&B, as well as Experimental, New Age, and ShoeGaze.

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Redwood is the alias of producer/singer-songwriter Marlon Sinnaeve. What initially started out as a guitar-focused project, drawing inspiration from the likes of Antoine DuFour and John Butler, has since grown to include songwriting and a bigger focus on production. Redwood specializes in atmosphere, ranging from ethereal guitar improvisations to cinematic, layered productions. Major influences include The XX, Bonobo, Radiohead, Bombay Bicycle Club and Half Moon Run.