Ásgeir Trausti Einarsson (born 1 July 1992) is an Icelandic singer-songwriter and musician. In his Icelandic releases, he was credited as Ásgeir Trausti. But more recently in 2013 with his launching as an international artist, he has started using the mononym Ásgeir as a recording name. Ásgeir performs with his own band, Ásgeir Trausti Band. He also plays guitar in the Icelandic band The Lovely Lion. Ásgeir's debut album is Dýrð í dauðaþögn released in 2012, the lead single from which, "Sumargestur", made it to number two on the Tónlist, an unofficial but widely quoted Icelandic Singles Chart, followed up with the single "Leyndarmál" (six weeks at number 1 on Tónlist) and the title track "Dýrð í dauðaþögn" from the album (three weeks at #1 on Tónlist). He has had a Christmas hit with his song "Hvítir skór" in collaboration with Blaz Roca. The single stayed at the top of the Icelandic Singles Chart for 9 consecutive weeks from December 2012 to the end of January 2013. An English language version of Dýrð í dauðaþögn under the title In the Silence had been scheduled for international release on 27 January 2014, but was made available online on iTunes on 28 October 2013. The American singer John Grant helped with the translation of the lyrics and re-production of the English language album. Based on online sales, the album has already charted in Belgium and Netherlands. On 13 August 2013, Ásgeir released the video for "King and Cross", the debut single from the prospective album with John Grant appearing in the single release. The follow-up single "Going Home" charted in France. The main release to coincide with the release of the album was "Torrent", an English-language version of "Nýfallið regn". YouTube channel: https://www.youtube.com/user/asgeirtrausti

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There are multiple artists with this name: 1. Gordi is a indie-pop singer/songwriter based in Sydney, Australia. 2. GORDI - ex-Yugoslavian rock / Heavy Metal band Raised in the small, farming community of Canowindra in Australia’s New South Wales, amongst a minuscule population of 2381, Payten learned to play piano and guitar in her house — with Billy Joel on near-constant rotation. She left the rural life in her late-teens to pursue a medical education in Sydney alongside her musical career. The dichotomy of those environments — the pastoral and the modern — is surely a guiding influence in Gordi’s music. Earthy, wistful folk songs are cloaked in delicate-but- bold electronic production. And what an effortlessly flooring voice to carry it all, at once fractured and brimming with richness. These are songs you could hear bouncing through the alleyways of the city as much as you could hear them rolling across the fields. Fans in Payten’s native Australia have already been treated to a number of these magical musical moments courtesy of consistent rotation on triple j and FBi Radio, including nominations for a triple J J Award and 2 FBi SMAC Awards in 2015, on top of being named triple j Unearthed’s most played artist during 2015. The single, "Can We Work It Out" has the big, worldly drums of those aforementioned Peter Gabriel classics and a towering, multi-layered vocal chorus that will instantaneously sear itself into your musical memory. The soft gallop and airy melody of EP opener “Nothing’s As It Seems” feels like the bittersweet sunset of a four-day weekend on the water. “So Here We Are”, a heartbreaking lo-fi piano and vocoder-led ballad. While the instrumentally lush “Wanting” submerges you in a joyous sonic landscape, a bold aesthetic for a tale of longing and reconciliation. Moments in the EP may recall the early albums of Beth Orton, but more storming and redesigned for the stadiums, festivals and amphitheatres of the 21st Century. Staking that claim, Gordi is already sharing stages with contemporaries like Of Monsters And Men, Highasakite, Little May, Dustin Tebbutt and more. Clever Disguise was created with Melbourne producer Ben McCarthy with additional production by Alex Somers (Sigur Ros) and Francois Tetaz (Gotye). And if it’s merely an aperitif for what Gordi has coming up, we’re in for a magnificent show. “An absolute work of splendour that will almost certainly make her a star" - Stereogum (Artist to Watch; top songs of 2015) “A song to score a daydream” - Pigeons & Planes “Breezy, wintry melancholy at its finest” - The Guardian “Our standards for indie-folk music this year have been set very high by artists like Vance Joy and Xavier Dunn, but here, we find that Gordi is still capable of surpassing our expectations with her lovely first offering, Nothing’s As It Seems” - Hilly Dilly (Top 25 Australian songs 2014) “What’s not to like about this” - Stuart Murdoch, Belle & Sebastian “Brand new label mate that is REALLY crushing music – G-O-R-D-I” - Justin Vernon (Bon Iver) "Gordi's most lushly atmospheric and spaciously produced work to date" - The Line of Best Fit "As abrasive as it is gorgeous" - All Song Considered, NPR Music "The smooth, low timbre of her voice feels like that still time of the morning before anyone else is awake, watching blooms of ice to melt into the window" - Yen Magazine “What a beauty! Smart production, sublime songwriting” - Dom Alessio, triple j “It is without a doubt that Gordi is charismatic individual, easily able to hold a crowd in the palm of her hand” - Semplesize “A musical mystic pulled from the pages of some pastoral romance.” - Music Feeds

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