TIMING
- 18u00: doors open
- 18u30: Jinjer
- 19u15: Tribulation
- 20u15: Wintersun
- 21u45: Arch Enemy
(this timetable is subject to last-minute changes)
This concert is organized by Biebob.
For this concert we don't accept Gate15 culture vouchers (for Antwerp students).
Children of Bodom, In Flames, Soilwork, At the Gates, Insomnium, Kataklysm
Arch Enemy swe
Arch Enemy is a Swedish melodic death metal band from Halmstad, Sweden, formed in 1996. Founded by Carcass guitarist Michael Amott along with Johan Liiva, both originally from the influential death metal band Carnage. The band has released seven studio albums, a live album (Burning Japan Live 1999), two DVDs and three EPs. The band was originally fronted by Johan Liiva, who was replaced by Angela Gossow as lead vocalist in 2000, with Gossow stepping down in March 2014 and being replaced by Alissa White-Gluz, formerly lead singer for The Agonist. Arch Enemy, the brainchild of Michael Amott (Carcass, Carnage, and Spiritual Beggars) was originally assembled when Michael Amott left Carcass. Guitarists Michael Amott and younger brother Christopher Amott (Armageddon) joined with vocalist Johan Liiva (ex-Carnage, Furbowl, Furbowl|Devourment) and then-session drummer Daniel Erlandsson (Eucharist) in what Michael Amott called "an attempt to merge melody with aggression and technicality." The band's debut, entitled Black Earth was recorded at Studio Fredman and released by the now defunct Wrong Again Records in 1996. It obtained a fair amount of success in Japan, achieving MTV rotation with their first single "Bury Me an Angel", as well as moderate success in Sweden. At this point, Arch Enemy was more of a "solo effort" than a full band: Michael Amott wrote all the songs himself, and even played bass guitar on the album, contrary to the album's liner notes, which listed vocalist Johan Liiva as handling bass duties. Amott later revealed that he had the credits listed that way to make the album seem more of a "band" effort. Many consider it to be the band's most aggressive album, a trait that was softened to some degree on its following releases, but never abandoned. After the release of Black Earth the band switched labels, signing a contract with Century Media. In 1998 Arch Enemy released Stigmata, for which bassist Martin Bengtsson and drummer Peter Wildoer joined the band. This album caught the attention of a wider audience, gaining popularity in both Europe and America. This was also the first Arch Enemy album to be released worldwide. In 1999, Sharlee D'Angelo assumed the role of Arch Enemy's bassist, and Daniel Erlandsson was once again recruited to handle drum duties, this time on a permanent basis. Burning Bridges was released, and was soon followed by the live album Burning Japan Live 1999, which was initially a release limited to Japan, but later given worldwide distribution due to demands from fans.[citation needed] During the touring-cycle for Burning Bridges Sharlee D'Angelo was temporarily replaced twice, first by Dick Lövgren (Meshuggah, ex-Armageddon) and secondly, by Roger Nilsson (ex-Spiritual Beggars, Firebird, The Quill). Burning Bridges marked a shift in Arch Enemy's core sound, now opting for a more melodic approach, while still keeping the original melodic death metal-sound first heard on the first two albums. In November 2000 vocalist Johan Liiva was asked to quit the band. Michael Amott stated that the he wanted more dynamics from the band's frontperson, and that Liiva's live performance was not up to par with the rest of the band. Liiva was soon replaced by amateur German journalist and death metal vocalist Angela Gossow, who had given a demo tape to Christopher Amott earlier that year during an interview she had conducted with him. Gossow proved to be a competent singer and has been with the band ever since. The first album with songs featuring Gossow was Wages of Sin, released in 2001. Along with featuring a new singer, the band also went from B tuning to C tuning and have kept this till the present. In December of the same year, Arch Enemy took part in the "Japan's Beast Feast 2002" concert, playing alongside Slayer and Motörhead. Anthems of Rebellion was released in 2003 and brought some innovations, such as the use of a second voice singing in harmony, for example in "End of the Line" and "Dehumanization." In November of the following year, the band released the EP Dead Eyes See No Future, which featured live recordings, along with covers of Manowar, Megadeth and Carcass songs. In June 2004, the band embarked upon Japan touring supported by a Japanese act Edge of Spirit. In June 2005, Arch Enemy finished the recording for their sixth album, Doomsday Machine. In July 2005, guitarist Christopher Amott left the band in order to focus on his personal life. He was temporarily replaced by guitarist Gus G. (Ozzy, Firewind), and then by Fredrik Åkesson in September 2005. Christopher returned on a permanent basis in March 2007, shortly before the band entered the studio to begin recording their new album with producer Fredrik Nordström (who has produced for acts such as In Flames and Soilwork). Åkesson went on to become Opeth's new lead guitarist in May, 2007. An album from Arch Enemy's earlier work, Black Earth, was reissued on April 24, 2007, with Liiva's vocals. Arch Enemy's seventh album, entitled Rise of the Tyrant was released on September 24, 2007 in Europe and September 25, 2007 in the USA. Rise of the Tyrant debuted at number 84 on the Billboard 200 chart. This surpasses the Doomsday Machine chart entry, making it the band's highest charting effort to date. Gossow said the new album has more emotion and less double vocals, as well as less vocal processing, yielding a more "raw" presentation. Arch Enemy played the Bloodstock Open Air Festival in August 2007, between Sabbat and In Flames. They then performed on the Black Crusade tour at the end of 2007, with Machine Head, Trivium, DragonForce and Shadows Fall. With this, as Michael Amott reported on the band's website, "These will be the first European shows we do with Arch Enemy after the release of our new album". On March 8, 2008, Arch Enemy filmed a live show in Tokyo, Japan for the live DVD Tyrants of the Rising Sun. Arch Enemy also co-headlined the Defenders of the Faith tour in April 2008 with Opeth while DevilDriver and 3 Inches of Blood opened for them. They then headlined the Tyranny and Bloodshred tour in May 2008 with Dark Tranquillity, Divine Heresy, and Firewind as supporting acts. Released September 28 in EU, September 30 in Japan, and October 6 in USA, it features twelve re-recorded songs spanning the band's career before Gossow joined as vocalist, with some material pre-dating D'Angelo as their bassist. In the first half of 2009, the band toured Europe and South America, and they also played at the annual Dubai Desert Rock Festival alongside Opeth, Chimaira, and Motörhead. Following the release of The Root of All Evil on September 28, 2009, the band embarked on an Asian and Australian tour, including their first visit to New Zealand, starting at the Loud Park festival in Japan on October 17, other acts included Megadeth, Judas Priest, Slayer, Anthrax, Rob Zombie and Children of Bodom. Arch Enemy has confirmed to be part of the Wacken Open Air tour held in Wacken in Schleswig-Holstein, northern Germany. This is one of the biggest summer heavy metal festivals, including more than 60 bands. According to a September 2010 interview with Angela Gossow, Arch Enemy entered the studio on December 1 to begin recording their ninth album for a release in June 2011, according to the band's website.[14] The title for the new album is Khaos Legions. The first single from the album was released on the Century Media website on March 31, entitled "Yesterday is Dead and Gone". The album was released on 31 May 2011. On December 12th, the band announced that they would be filming a show in Cologne the following day for an upcoming live DVD entitled "World Khaos Tour". On March 3, 2012 it was announced on the band's Facebook page that Christopher Amott had once again departed from the band. He was replaced by Nick Cordle. On March 17, 2014, Angela Gossow announced her departure as lead vocalist, saying she wanted to continue on as the group's business manager, but that it was time for her to proceed to another phase in her life. She thanked the fans for supporting her, and gave an enthusiastic welcome to her replacement, Alissa White-Gluz. November 17, 2014 was the day that Nick Cordle departed from Arch Enemy and eventually Jeff Loomis (Conquering Dystopia / Nevermore) replaced him. His first show with them was on November 26th in Lyon, France when War Eternal European tour kicked off.
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Wintersun fin
Founded by ex-Ensiferum frontman Jari Mäenpää in Helsinki, Finland in 2004. Wintersun is a Finnish Metal band with an array of influences ranging from (but not limited to): Power Metal, Folk Metal, Melodic Death Metal and even Progressive Metal. Ultimately melodic death/power metal. Jari has spoken about the genre of Wintersun's music, and says "Well it´s difficult to put into a certain genre, cause there’s lots of variation. But to describe it, I would say something like: Extreme Majestic Technical Epic Melodic Metal." He has also stated "But it's really not death metal. It's very difficult even for me to label it, but if somebody would put a gun on my forehead, I would probably say something like Extreme Melodic Majestic Metal." The first Wintersun album, "Wintersun" was scheduled for recording early in 2004 a time frame which clashed with the Ensiferum European tour. Jari Mäenpää was forced to choose between his booked recording time for Wintersun, or the Ensiferum tour; he chose Wintersun and was forced to leave Ensiferum behind. The album was released on September 13, 2004 through Nuclear Blast Records. Wintersun's self titled album was produced solely by Jari Mäenpää himself, with only a session drummer (Kai Hahto) to perform the drums and percussion. Jari performed the vocals, bass, guitars and programmed the synth on his own. Indeed, the album was conceptualised purely as a solo project in tandem to Ensiferum (evident by the fact that the Wintersun album bears Mäenpää's name on the front). The live Wintersun line up consists of two other players in addition to Hahto; Teemu Mäntysaari (Imperanon) plays guitars and Jukka Koskinen (Norther) plays bass. Live keyboards come from background tapes because Wintersun hasn't yet found a suitable keyboardist. This is due to the fact that there are a lot of intricate keyboard passages in Wintersun's music and Jari has stated that there would probably have to be two live keyboardists in the band to make it work. The second Wintersun album is called "Time" and was to be released in late 2006, but the schedule was changed to a release in 2012 because of delays in recording and technical difficulties. Wintersun: Jari Mäenpää (vocals, guitar) Kai Hahto (drums) Teemu Mäntysaari (guitar) Jukka Koskinen (bass)
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Tribulation
There is more than one recording artist that goes by the name Tribulation: 1) Tribulation is a death metal band from Arvika, Sweden. In 2004 Tribulation arose from the ashes of the fallen angel Hazard. After a few line-up changes Tribulation became a four piece consisting of D.D. Sars and Evil Kid Joe on the guitars, Jonka on the bass guitar and throat, and Bob Gentle as the devil on the drums. In 2005 the delayed “The Ascending Dead”-demo was released. The demo hadn’t been out for long when Zombie Ritual Tapes contacted us and wanted to release it, and so they did. The recordings of an EP took place and the result was the, once again delayed, “Putrid Rebirth” 7”. It was released by the mighty Blood Harvest Records. As for now we’re looking for gigs and writing material for our debut album. It’s going to be released by Pulverised Records and Temple of Darkness Records. Beware. 2) Tribulation were a thrash metal band from Surahammer, Sweden who formed in 1986 under the name Pentagram. After releasing one demo entitled Infernal Return they changed their name to Tribulation. Over the next few years they released several more demos, an EP, a full-length album and also contributed to split 7" on Is This Heavy Or What Records.
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Jinjer ua
There are two artists of the same name: JINJER - a pop-grop. JINJER is an Ukrainian groove metal band formed in 2009. 2009 - 2012 Once at the very beginning of their way in their hometown somebody said behind their backs : Won't go further than local gigs! Only pathos and crabs! Today JINJER are one of the best metal bands in Ukraine with wide popularity both in the motherland, all around Europe, and even overseas. De facto the band was formed in 2009 and right of the bat they released a promo-EP. However, it isn't really clear if we can call that line-up a real JINJER band. There was a guy, Max, on vocals. He emigrated to the states right after the demo-release. And generally there was only one person remained from that line-up – a band-founder, Dmitriy Oksen. Probably the real starting point for the band was when Tatiana Shmailyuk replaced the previous vocalist. It is interesting that originally Tatiana didn't want to stay for long in the band, so to say she decided to help friends just for a while. But as it often happens the temporary turns into the permanent. Almost at the same time Roman Ibramkhalilov joined the band too, the guitarist whose talent and skills would become one of the basics of the band's sound. In 2010 JINJER recorded and released on the Internet two singles with Tatiana's vocals and the band finally started to gain first fans and popularity, though only locally yet. Same time they received their first invitations to play in the regional center of Donetsk and other towns around it. But till the summer of 2011 the band couldn't get a stable and ready-to-work line up. After Eugene Abdiukhanov (a-k Kostyuk) joining the band, he also took in charge of band's management and promotion, JINJER at last began their way to “wide popularity” on the underground metal stage of Ukraine. The year 2012 started with the victory in a MUZTORG challenge (a huge international music store chain organizes a competition for all-genres bands). It's funny that JINJER won a chance to record an album for free at a studio which had never recorded anything heavier than pop, so the bad has never used that change, perhaps for the better. Also at the beginning of the year the band released on the Internet a new EP – INHALE. DO NOT BREATHE, and their first official video – Exposed as a Liar. The video blew up the Ukrainian metal stage. The live show schedule was getting tighter and tighter and the top-point of the band's concert activity was performances at Loadfest 1.0 in Lviv and in BINGO club in Novermber 2012 where JINJER filmed a new video for SCISSORS song. It must be noted that for the whole year the band was touring exceptionally on their own costs paying for transport, accommodation and catering themselves, but no obstacles could stop the musicians on their way success. At the end of 2012 a Greek label – the Leaders Rec., contacted and offered JINJER to release INHALE. DO NOT BREATHE officially. The release was strengthened with a few more songs and bonus later on was brought out by the Greek label as full-length album. At the same time the band was found by a booking agency from Romania, Cavaleria Events, they offered JINJER a tour around Romania and Moldova. 2013 2013 started with the tour of 15 shows around Ukraine, Moldova and Romania. The culmination was in Kiev where JINJER shared the stage with CALIBAN from Germany. But one month before the beginning of the tour the band was to go through a hard challenge. The drummer, Aleksander Koziychuk, refused to go on the tour for some family reasons and circumstances. The tour was about to fail. Next morning, Eugene Mantulin, who had previously played with Kostyuk in other bands responded to JINJER's call to work as a session drummer. This undoubtedly talented musician and a wonderful person managed to learn 11 songs of JINJER in a month. They went on the tour but came back home as an absolutely different band, with clear goals and plans. Mantulin remained in the line-up permanently. The international tour made promoters, metal audience and other Ukrainian bands take JINJER seriously. At the end of the Spring the band released a new lyric-video and single NO HOARD OF VALUE which marked out some certain stylistic changes. The band made a bet on more complicated instrumental parts and structure of songs. Stylistically JINJER moved from dogmas of metalcore to groove metal, progressive and episodically even death metal. During the summer 2013 the band performed at open-air festivals. The performance at Rock'n'Sich festival on the same stage with TIAMAT and PAIN must be marked out. JINJER first time in their career gathered several thousands of metal fans under the stage making them slam, mosh and headbang like the last time in their life. Approximately same time JINJER got the invitation to take part in the first metal challenge in Ukraine – the Best Ukrainian Metal Act 2013, which was to take place in October 2013. According to the regulations band for the contest were chosen by a jury – the most prominent Ukrainian promoters in the sphere of heavy music, but a winner was chosen by audience voting. JINJER understood that they had no chances to win as the other contestants were local Kiev bands with at least 10 years experience with much bigger fan-support in the capital of Ukraine. However the band accepted the challenge and went to the capital just to play a good show. On the way to Kiev something terrible happened. That could put a full stop not only in their career but also in the musicians' lives. One day before the contest late at night JINJER got into an awful traffic accident and fell into 4 meter-deep ditch. Only by a lucky fortune nobody hurt seriously and the band's van got only a broken radiator and bumper. Having mustered up all their will, courage and strength, and money too, the band fixed the van at the closest service station and next day arrived exactly for the soundcheck. Eventually JINJER was voted to be the Best Ukrainian Metal Act of 2013. The rest of the year spent at the studio composing and recording their next full-length album – CLOUD FACTORY. 2014 2014 started with a release of a lead-single from the upcoming album. A video for CLOUD FACTORY repeated the success of its forerunner two years before. Then the band performed at BIG LOVE FEST where JINJER confirmed the status of the leaders of Ukrainian metal stage. CLOUD FACTORY album was released at the Leaders Rec. in March 2014 and to support the album JINJER set off to a one-month tour around Europe playing gigs in Poland, Germany, Czech, Belgium, France and Switzerland. In the summer of 2014 due to tragic events in native Donbass (East of Ukraine, civil war between separatists supported by Russia and Ukrainian governmental forces) the band had to move to Lviv breaking all stereotypes about disaffection between the west and the east in Ukraine. In 2014 JINJER joined the line-up of absolutely all open-air festivals in Ukraine, including the biggest fest – Zaxid Fest, where the band again gathered several thousands of metalheads under the stage, making EKTOMORF, who were the headliner of the night, feel nervous. After a few weeks JINJER played at Bucovina Rock Castle festival in Romania where they shared the stage with such legends as NAZARETH and DOG EAT DOG. One month later JINJER went through a tragedy which shocked not only fans and musicians of Ukrainian metal scene, but also people were not connected with either with the band or heavy music in general. JINJER were at their close friend in Kiev, having rest on their way to Russia where they were supposed to play a couple of shows. Everyone was asleep when Eugene Mantulin went to smoke in the kitchen. He sat on the widow, napped and fell off the third floor down. Only because of the unity of musicians, fans, people who were not indifferent, they managed to collect a sum necessary for an urgent operation and thus save Mantulin's life and give hime a chance to walk and play the drums in the Future. The band had to cancel a large tour around Europe and Great Britain. At some point the Future of JINJER was unclear and doubtful. After a while, getting off the stress the band decided to look for a substitution for the drums. The task itself was incredibly difficult as Mantulin was definitely one of the best young drummers in Ukraine, there weren't many people who could play his lines, and there were even less who could accept a life style of a professional musician in heavy metal. JINJER chose a young and perspective fellow whose name is Dmitriy Kim. The band knew the guy since they recorded at Beast Rec. studio in Gorlovka, where the new drummer had worked as a sound-engineer. Without any hesitations Dmitriy moved to Lviv, settled with the others at their country house and started to learn songs. Same as Mantulin he managed to take over 11 songs in a month. On November 8th JINJER were playing at LOADFEST III in Lviv and next day they set off to a 17-day tour around Ukraine, Russia and Romania. At the end of 2014 JINJER released on their official youtube channel their first official live-bootleg – the performance at FajtFest in Czech which took place in June 2014. Following this the band released an official tour video for a song «Желаю — значит получу» which summarized all concert activity for the whole year. Also on December 23rd Eugene Kostyuk, the bassist, became the first father in the band, he and his wife had a baby-son. In 2014 Ukrainian and foreign music editions gave a lot of their attention to JINJER. Thus European magazines, e.g. The Legacy, Metal Hammer and Rock Hard, reviewed and gave high scores to CLOUD FACTORY album in the same line with international stars' albums. Ukrainian editions summing up the year recognized JINJER as one of the brightest Ukrainian bands and Tatiana joined the top of 10 best young Ukrainian singers of all genres. In Ukraine CLOUD FACTORY album joined the top 20 albums of 2014, the only metal album among pop and indie bands. 2015 In the beginning of 2015 JINJER went on a short mini-tour around Russia. Its top-point was the performance at the biggest anniversary in-door festival in Russia – STARS FUCTORY festival, which was held in two largest cities – Moscow and St. Petersburg. JINJER were accepted very warmly by the audience despite all the political and military tensions between the Russian Federation and Ukraine. Critics in Russia claimed JINJER to be a real discovery of the festival and a new wave of Eastern-European metal music. The band proved that true metalheads stay unite in all situations regardless borders, geopolitics and other bullshit. However, after getting back home JINJER received a lot of criticism from ultra-nationalistic movements, the band even was threatened several times, a few concerts later on were almost canceled due to attacks and threats by nazi and fashistic groups. Fortunately thanks to huge fan support and also support by the biggest Ukrainian festivals JINJER managed to avoid the real troubles and violence. Anyway the band remains under the target of marginal right-wing elements, and a victim of the fox hunt in Ukraine. In February 2015, JINJER had to go through another obstacle. Preparing for the Spring OUTLANDER TOUR around the EU, band-members applied for Greek Schengen visas. Even though the band had all necessary documents and invitations provided by the Leaders Records label located in Greece, all five of JINJER got a refusal. For this reason they had to postpone the Polish part of the tour to mid May. Only with the great assistance and understanding by the Polish Consulate JINJER managed to get Polish visas and be ready for the middle of March to tour around Romania, Bulgaria, Greece, Hungary, Czech, Slovakia, Italy, Austria and Switzerland. It has to be noted the tour had both positive and negative sides. Apart from awesome shows and full clubs everywhere, the band had a wonderful chance to check out such fascinating sights as Parthenon in Athens, Coliseum in Rome and many more. On the the other hand every band-member got ill at least once on the tour. Some had a fever of 40 degrees. Nevertheless they had to play shows almost everyday. After one month and 25 shows the band got back to Ukraine. In the end of April JINJER made their first exclusive full-time show in Kiev, Sentrum Club. The performance was caught on cameras and recorded live. It would be released as the band's debut official DVD entitled CROWD FACTORY in the beginning of 2016. Originally the band was about to release the DVD in the Autumn of 2015, but due a number of technical problems appeared on the production line, it had to be postponed several times. This DVD would be the last release with the Greek Leaders Records for the band. At the end of Spring 2015, JINJER traveled to Germany to participate at OPEN AIR am BERG festival. It opened the season of open-airs for JINJER. In total the band performed at 7 festivals during the summer season 2015 in Poland, Germany, Romania, Albania and Ukraine sharing the stage with At the Gates, Marduk at RockStadt Fest, being a co-headliner for Kreator at Zaxid Fest. But in the middle of the summer, after the performance at the Black Sea Festival the guitarist Dimitriy Oksen shocked the band with his decision to leave JINJER. It was absolutely unexpected, there was no hint or sign for this, but the original founder of JINJER left and actually gave up music. As he claimed in his farewell note for the fans: “I would like to devote time and efforts to some more of my dreams and ambitions”. The rest of the shows in 2015 JINJER played in four. The band at first tried to look for a substitution, but after a while they took a decision to stay a 4-piece band. The main reasons for that were that first of all it was rather difficult to find a guitarist with appropriate technical skills and charisma, but also that no-one could understand what it means to be on long tours and live a life of a musician in the modern world. So at lest temporarily JINJER decided not to look for a new member. Next day after performing at Respublika Festival in September, the band went to the city of Lutsk to film a brand new video for a new song entitled Sit Stay Roll Over. The audio for the song was recorded in the late August at Morton Studio in Kiev. At first the band planned to bring it out as an opening single for the upcoming EP, scheduled for late Autumn. But a couple of weeks after the new video-clip was out in October 2015, when it gained more than 100 000 in the first seven days, JINJER got an offer from one of the most influential metal labels in the world – NAPALM RECORDS. After two month of negotiating and at least 10 offers from other labels from all over the world JINJER signed a worldwide record deal with and joined the family of Napalm Records. It brought some changes to the band's plans. JINJER had to cancel the EP release and started preparing material for their new album "King of Everything" to be released in 2016. LINE-UP: Tatiana Shmailyuk - vocals Roman Ibramkhalilov - guitar Eugene Abdiukhanov - bass-guitar Dmitriy Kim - drums Links: http://www.jinjer-metalband.com/about http://www.facebook.com/JinjerOfficial http://vk.com/jinjer_metal http://www.youtube.com/user/dmitriyoksen http://jinjer.bandcamp.com
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